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  • Highlights from this September’s The Jewellery Cut Live

    The Jewellery Cut Live will return for its third season next month with a two-day jewellery show during London Fashion Week that aims to promote independent jewellery designers and open up the often mysterious and stuffy world of contemporary jewels to all. The event, which is free to attend, will take place on the 15th & 16th of September, 2019, at the Pompadour Ballroom within Hotel Café Royal on London’s Regent Street.

     

    All guests must register for free tickets through Eventbrite.

     

    The show will feature the work of more than 20 independent jewellery designers, all of whom will be at the event to meet with visitors. Those attending the event will be able to meet the designers, browse the jewellery, plan commissions and buy pieces on the day. There will also be a series of jewellery talks and mini events held throughout the two days, including a late-night shopping event on Monday, 16th September (6pm-9pm).

    The Jewellery Cut Live launched in September 2018 and returned with a second show in February 2019, with both events timed to coincide with London Fashion Week. The show acts as a hybrid event for the jewellers involved and attracts press, influencers, VIP collectors and retail buyers, as well as being open to the general public.

     

    Designers at The Jewellery Cut Live this season will offer a wide range of jewels: Metier by Tomfoolery will offer accessible precious stacking jewels; Jessica Pass creates oversized bug jewels that have been worn on stage by Erykah Badu; Remay London is a pearl specialist; Simon Harrison creates costume jewellery that has been worn by many celebrities; Baroque Rocks will bring vintage gold jewellery; Isla Gilham specialises in carved gemstones that look as though they have bites out of them. To name but a few. See a full list of the designers participating here.

     

    As well as home grown talent, some international brands will use The Jewellery Cut Live to make their London Fashion Week debut. Loren Nicole, who creates unusual fine jewels inspired by historic jewellery, and Neelu, a brand of diamond and emerald jewels created by working lawyer Neelu Khanuja, will both travel to the show from Los Angeles. Russian-born Andrey Yarden, who has created bespoke pieces for Katy Perry, will join from Shanghai.

    “There is so much exciting jewellery talent out there to discover, and with London being famed globally as the epicentre of jewellery design, we want to bring some sparkle to London Fashion Week,” said The Jewellery Cut co-founder Rachael Taylor, a journalist who has specialised in writing about jewels for a decade. “We have curated an exciting and diverse selection of jewellers within an inclusive, relaxed event. Our policy has always been that absolutely everyone is welcome at The Jewellery Cut Live, whether browsing, buying, planning a commission or simply curious. It is a fun day out for jewellery novices and connoisseurs alike, and a safe haven for the magpies among us who still feel too intimidated to walk through the door of a jewellery store.”

     

    See a full line up and find out more about each of the brands taking part in The Jewellery Cut Live here, and book tickets here

  • Wallace Chan, in his own words

    Wallace Chan is the undisputed master of art jewellery, with waiting lists for his unique and pioneering pieces often stretching into years. But who is the man behind the jewels? At The Jewellery Cut Live last year, the Chinese jeweller hosted an intimate talk that delved into his past and his inspirations. In an edited extract from that lecture, here is a glimpse into the world of Wallace Chan, in his own words…

     

     

     

    People often ask me if I have a favourite gemstone or metal. I don’t. As a creator, the more materials I have, the more materials I love, the freer I become. Besides, I believe the beauty is not in a single material, but in how we find harmony amongst different materials. It’s like music. Do you have a song with just one note in? Do you prefer a voice that is monotone? My guess is very few people prefer that. When you decorate a piece, it is very important to look at how things are related to one another.

     

    I began as a gemstone carving apprentice in 1973. At the workshop, we worked mostly with malachite, jade and coral, and we worked mostly on imitating traditional Chinese motifs. It was a time when Chinese artefacts, even just a copy of them, were popular items in the western households. After nine months at the workshop, I quit. I decided I had an uncertain yearning in my heart. I didn’t know what that yearning was at that time. All I felt was that I could not spend years in the workshop doing repetitive tasks.

     

    As a beginner in the gemstone carving industry, I had no access to any materials. I begged my parents to give me a loan of HK$1,000. I spent more than half of it on machines, and the rest on two pieces of malachite. I carved the two pieces of malachite into Chinese fairies. After I was done with the carving, I took the pieces with me and on a hot summer’s day I walked from street to street and knocked on many doors. After two days of long walks, someone bought the pieces from me out of kindness. With the few hundred dollars I got, I bought a few more stones to work on.

     

    I grew up in an under privileged environment, my family struggled to make ends meet. My experiences as a child labourer taught me to be open to opportunities – everything was about survival. By saying yes to a new idea, a new material, I created a brand and a new world for myself. One day I got a call from this client saying, ‘Wallace you have to come to our shop now, come, as soon as possible’. I was sleeping in my car at that time, so I got the earliest, cheapest ferry ticket to Hong Kong. When I arrived, I saw all the cameos I had made, which my client had sold to Japan already, were returned to the shop. My heart dropped. They didn’t like my carving after all. But the strange thing was I felt very welcome at the shop. The staff got me pineapple buns and orange juice – to me it was a VIP treatment. It turned out that the Japanese client loved my pieces and asked me to sign my name on each of the pieces.

     

    People kept telling me it was pointless to work with titanium. Gold would sell, they said; platinum would sell; but no one knew titanium, titanium would not sell. But I knew titanium. I knew what it could do for me. Because of its colour and structure, I could carve not only patterns, but it had a light path on it where the light could go in and linger. Because of its strength, I don’t need to use a lot of metal to execute structure. I could set bigger stones and elaborate my designs. Today, titanium is well loved by the jewellery industry.

     

    I have collected a lot things over the years: gemstones, antiques, weapons, glasses, paintings, etchings and tea pots, lots of tea pots. I am a material person, but it is not the sense of ownership I crave, it is the possibilities to connect with the past that I desire. Through these so-called material things I can connect to their history and understand the time that they lived. They are my gateway to the grand, unknown past.

     

    Every piece of creation is the work of a lifetime. It is a process that uses all kinds of emotions. It is difficult to pinpoint how long it takes to create a piece. Take a painting – it may only take a minute [to create], but years of thought process has gone into it.

     

    Life is death and death is life. If we put a rigid definition to life it would be very difficult life for us to live. Success and failures are the same. If we are always living in the past, then we will never succeed again. If we dwell on the failures that we had yesterday, we will never succeed again. That’s my philosophy of creating. When I’m creating a piece of jewellery, or anything, if I don’t like it, even if it’s close to the final product, I will take it completely apart, because that is my pursuit of perfection – not to live in the past.

  • How to buy jewellery she’ll love this Christmas

    It is that time of year again when men all over the country start to get sweaty palms. What to buy their significant other for Christmas? With jewellery set to be a popular gift this season – as our need, if not our desire, for more fleeting fashion and experiences is quashed by the pandemic – jeweller Kimjoux has dreamt up a solution to help men navigate towards the perfect Christmas gift.

     

    Kimjoux has launched a new buying experience called BBeyond – titled in reference to exceeding the expectations your partner has of your Christmas-shopping prowess. It allows shoppers – not just men, of course, but anyone wrangling with Christmas gift buying – to invest in a piece of fine jewellery with confidence.

     

    That confidence comes through flexibility, and a guiding hand from Kimjoux founder Trang Do, who worked for major Bond Street names including Graff and Cartier before setting up her own fine jewellery brand. Simply fill out a BBeyond questionnaire on the Kimjoux website, and Trang will be in touch with some suggestions of at least three jewels she believes will make a great gift, based on your loved ones tastes and lifestyle.

     

    During the consultation process, you can whittle it down to two pieces, which Trang will create silver samples of. On Christmas Day, you can present these placeholder jewels to your beloved, who will then take over the buying experience.

     

    After trying on the samples, they can choose their favourite and then enjoy a consultation with Trang, who can modify the design – sticking to the budget you have set – until its perfect. From there, the Kimjoux team will craft the jewel in gold and gemstones especially for them, a process that usually takes four weeks.

     

    Trang sees the Kimjoux BBeyond service as an attractive alternative to buying gift cards, or simply paying for gifts their partners have already chosen themselves – a romance-throttling experience she, like many of us, has experienced in the past with her own husband. “You just want to know that they put some thought and effort into it at the end of the day,” says Trang. “We are not just a jeweller who only provides products. We love experiences, the little extra touches that make an occasion extra special.”

     

    Plus, she says, putting in the effort while leaving the final decision to their partner will make men look good on Christmas Day and mitigate the risk of a shopping faux pax. And who wouldn’t trade crestfallen smiles or raised eyebrows for genuine delight and appreciation under the mistletoe? It’s a win-win.

  • Hestia Jewels

    Hestia Jewels is a fine jewellery brand that takes inspiration from Hestia, the Greek goddess of the home and the hearth. Its jewellery collections embody the radiant spirit of beauty and warmth that lives inside every woman. The brand’s Turkish-Canadian designer Yasemin Mutlu is focused on leaving a mark in the fine jewellery world and is deeply inspired by her Mediterranean roots. Yasemin has evolved from an advertising and communications background into the world of curating and creating fine jewellery after studying gemmology and diamonds at the Gemological Institute of America. The Hestia ethos is all about responsibly sourced materials, including GIA-certified diamonds and quality gold. Designed in Canada, Hestia Jewels is proud to offer a beautiful selection of jewellery ranging from gemstone pendants to ceramic and gold earrings.
  • A history of peridot jewellery

    The Egyptians called them the ‘emeralds of the night’, due to an ability to retain their grass-green colour even in the lowest of lights, when other gems lost lustre. The Suffragettes rallied behind them as a verdant symbol of hope. Peridot has a long history of delighting and empowering its wearers, and its star is in ascendance once more.

     

    Look to the major high jewellery launches of the summer and you’ll see the green gem in frequent favour. In Bulgari’s Barocko collection, it clashes wonderfully in cabochon form with rubellite, amethyst and malachite in a colourful update of the brand’s iconic Diva’s Dream earrings. In its Colour Delight bracelet, peridot plays pastels in pear cuts with softer hues of amethyst and blush tourmaline, and strikes a regal tone in a large oval cut on a collier.

     

    At Pomellato, peridot took centre stage in Gioia di Pomellato, the Italian maison’s first high jewellery collection, launched in July. The crowning glory was the Nudo Collier Cascade necklace, which creates a waterfall of custom-cut peridot in large sizes pouring from rose gold and tsavourite rings.

     

     

    Bright colour, big look

    In recent years, there has been a sharp rise in the use of so-called semi-precious gems such as peridot in high jewellery collections, and the gemstones’ status in the luxury world has risen in accordance. It has been exhilarating to watch the traditional, and somewhat staid, trio of ruby, emerald and blue sapphire joined by a rainbow of alternative coloured gems, driven by a renewed passion for colour in jewellery.

     

    “Pomellato is not an elitist jeweller,” says Sabina Belli, chief executive of Pomellato, latching on to the spirit of inclusiveness currently germinating in the upper echelons of jewellery. “[Gioia di Pomellato] reflects the Italian art of living, where one does not make a distinction between everyday jewellery and ceremonial jewellery, between the jewels that one wears and those that one leaves in the vault. In Italy, beauty is not to be feared, it is to be revered.”

     

    And not just in Italy. One of the benefits of peridot is that its relative affordability, compared to other coloured gemstones, means you can achieve a red-carpet look without the insurance policy to match.

     

    “I don’t usually like yellow-greens, I am more of a blue-green girl, but recently I got some insanely gorgeous peridot from Afghanistan and it absolutely won me over,” says Jen Rush, founder of New York’s Rush Jewelry Design. “High-quality peridot, which is clean and intensely saturated, is a big bang for your buck.”

     

     

    A natural beauty

    Peridot also requires no treatment; unlike emeralds, which need oiling, and rubies, the colour of which can often be enhanced artificially by heating. And it boasts the gemmological quirk of double refraction, an optical illusion that leads you to see two of every facet when gazing into a well-cut gem. With so many enticing qualities, why hasn’t peridot been as popular as other coloured gems? At what point did Cleopatra’s favourite gemstone drop off the radar?

     

    “Peridot has a fascinating history,” says Pia Tonna, chief marketing officer of Fuli Gemstones, owner of the world’s largest-known peridot mine. “The Victorians, and later King Edward VII, loved peridot. I appreciate the fact that the Suffragettes used it to stand for votes for women, setting it in jewels alongside amethyst and either a diamond or pearl to signify allegiance to the cause’s official colours of green, white and purple, showing hope, purity and dignity. Once women got the vote, they no longer had to push it and peridot fell out of fashion.”

     

    However, we could be set to see lots more quality peridot flowing through jewellery houses soon. The Fuli Gemstones mine in China’s Changbai Mountains will aim to provide a consistent supply of high-grade peridot in larger carat weights.

     

     

    Verdant versatility

    Larger rough means more potential for experimentation. “I have always loved the Art Deco period and particularly the work of Cartier during that time, who created many pieces with peridot,” says high-jewellery designer Fabio Salini, who worked for both Cartier and Bulgari before launching his namesake house in the late 90s.

     

    “I am drawn to the forest-like hue of peridot and the large-scale pieces that one can source, which work well with some of my most contemporary works,” comments Fabio. A recent creation, which Fabio Salini showcased at Masterpiece in London, was a carbon fibre, gold and diamond cuff resembling a belt, with the buckle crafted using 16 large rectangular-cut grass-green peridot.

     

    Peridot is a versatile stone and lends itself well to many cuts; a fact perfectly demonstrated by Fuli Gemstones when it challenged two emerging jewellers, Liv Luttrell and Zeemou Zeng, to design with its peridot. Zeemou opted for small round peridot beads to set within his signature kinetic Melody ring with white gold tubes that allow the gems to safely clack back and forth. Liv opted for one large 3.94ct oval-cut peridot, which she has made the centre of one of her gleaming sculptural Spear Tip rings in yellow gold. The two very different designs will make their British debut at The Jewellery Cut Live in association with Fuli Gemstones in London in 2021.

     

     

    Out of this world

    As well as a rich history here on earth, peridot also has celestial associations that will appeal to those of us who like to imagine connecting with a higher power. The Gemological Institute of America (GIA) estimates that peridot is 4.5 billion years old, and most is found in lava or rock deposits that were forced up from below the earth’s mantle by volcanic eruptions, in the same way diamonds were. Some, though, have been discovered in pallasite meteorites – “remnants of our solar system’s birth”, as the GIA puts it. In 2005, peridot was also found in comet dust brought back by NASA’s Stardust robotic space probe.

     

    Peridot is also said to have more earthly spiritual properties, tapping into the current zeitgeist for healing gemstones. Peridot’s talismanic powers seem to be rooted in its ability to calm our senses; perhaps as a psychological reaction to its green hue that our inner Neoliths would associate with a lush space to forage, and therefore with safety.

     

    “Peridot is your vitamin-D gemstone for releasing unnecessary emotional baggage,” says Carolin Rosa, the designer behind healing gemstone jewellery brand Carolin Stone. “Peridot helps you to have more power to focus on positive thoughts and experiences. It increases your vibrations while it reduces your stress level and anger. You are able to feel free from emotions that pushed you down, and to feel less stressed.”

     

    Such levelling goodness is a talisman we could all use at the moment, and just one more reason why celestial, versatile, verdant peridot deserves a fresh look.

     

    WATCH: Learn more about the history of peridot and Fuli Gemstones